Adorno’s Noise is a collection of experimental, poetic, and conceptual essays that take a stunning plunge into a kaleidoscopic world of globalization, female sexuality, the place of art and artist, and the looming power of the state. Phrases from Theodor Adorno’s aphoristic philosophical text, Minima Moralia, serve as catalysts for an explosion of thought and language that quickly breaks Adorno’s orbit.

Reading from Adorno’s Noise

 Review

 

Links and Reviews

Carla Harryman. Keynote Speech: “What is Thinking? Or a Taste that Hates Itself.”dOCUMENTA (13), June 18–September 4, 2012.

Kit Robinson. “Review of Carla Harryman’s Adorno’s Noise.” Rain Taxi. 2013.

Pat Clifford. “Adorno’s Noise. Carla Harryman, Review.” Kaurab Online. 2008.

Jonathan Wegner. “Adorno’s Noise. Carla Harryman, Review.” Make Literary Magazine. February 2009.

Jill Darling. “The Content of Essay Form: On Reading Carla Harryman’s Adorno’s Noise.” How 2. 

Patrick F. Durgin. “Matches, in Our Time.” School of Art Institute of Chicago. 2008.

[Inter]sections Staff. “Interview on Adorno’s Noise and More”. [Inter]sections 2009.