Critical Responses & Other Commentary
“How I Now Remember Then,” Steve Benson, Small Press Traffic, 2023.
Review on Cloud Cantata, Tyrone Williams, Restless Messengers: Poetry In Review, 2023.
“When Poems Change,” Piotr Gwiazda, Jacket2. February 19, 2018.
“Review of Carla Harryman’s Adorno’s Noise.” Kit Robinson, Rain Taxi. 2013.
“Poetry as Virtual Community,” Luke Harley, review in Jacket2, February 7, 2013.
Review of Open Box, Eyal Hareuveni, All About Jazz, January 2, 2013.
“Outsound Music Summit: Sonic Poetry,” Catsynth, July 21, 2012.
“Language As an Open Box,” Memory Select: Journeys in Creative Music, July 15, 2012.
“The Wide Road by Carla Harryman & Lyn Hejinian.” Sarah Rouch, Lambda Literary. September 2011.
“My Sister/Mysteries, Exegetes’ Delight,” Maria Damon, Belladonna Press. 2011.
“Reading Carla Harryman,” feature issue, How2 Journal, ASU. Volume 3, Number 3. 2010.
“The Content of Essay Form: On Reading Carla Harryman’s Adorno’s Noise.” Jill Darling, How2 Journal, ASU. Volume 3, Number 3. 2010.
“Adorno’s Noise. Carla Harryman, Review.” Jonathan Wegner, Make Literary Magazine. February 2009.
“Adorno’s Noise. Carla Harryman, Review.” Pat Clifford, Kaurab Online. 2008.
“Matches, in Our Time.” Patrick F. Durgin, School of Art Institute of Chicago. 2008.
Review of Open Box, Tyrone Williams, Galatea Resurrects #10. July 20, 2008.
“The Necessary Experience of Error.” Carla Billitteri. How2 Journal. 2006.
“GARDENER OF STARS: A Novel” review by Publisher’s Weekly, December 17, 2001.
“Review of Memory Play,” Barbara Henning, Poetry Project Newsletter, April/May 1995.
“Literature of Linguistic Rebellion,” Marjorie Welish, San Francisco Chronicle, c. 1990.